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Description:Almost more perverse than any of the discreetly graphic couplings onscreen is the film's near-total avoidance of wide shots. Normally, directors love to show off their costumes and carriages, the sumptuous decor the budget has made possible, with expansive camera angles. This movie, by contrast, plays it close, as though witnessing the final moments of a long and agonized bullfight. The phrase could just as easily refer to Catherine Breillat, the French writer-director whose earlier movies "Fat Girl," "Sex Is Comedy" dissect women's roles in film and in life with academic provocation. Breillat can be on-target or she can be unbearably pretentious "Anatomy of Hell" ; here, she's masterful to a fault.

Views: 2417 Date: 2018-07-17 Favorited: 28